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John Wawrzonek
The Hidden World of the Nearby
FINE ART LANDSCAPE PHOTOGRAPHS
Landscape photographers tend to look in places made famous by other photographers. A friend photographer told me that one morning at Mono Lake in California there were 50 tripods in the water. In my 28 years with a view camera I never once ran into a photographer trying to make the same photograph as I was. On two occasions there were other photographers within sight. Once at Upper Hadlock Pond in Maine a group was photogrsphing the mmountains on the far side of the pond while I was aiming my camera at a group of reeds at the pond’s edge a few hundred feet away. The other was in a parking lot on the Kankamangus Highwy in New Hampwhire. There was a crowd focusing on a valley after a storm. I was aiming at some beautifiul foliage at the edge of the parking lot.
However, the real issue is the question of what is beautiful and why and what is it about beauty that triggers a reaction in me.
continued: click HERE
“John Wawrzonek is a virtuoso.”
—BOSTON GLOBE

Ferns With Frost At Sunrise
Cambridge, Vermont. October 1977
cat. JW 0133

Textures In Grass I
Anchorage, Alaska, August 1977 cat. JW 0016
Ferns With Frost At Sunrise
Cambridge, Vermont. October 1977
cat. JW 0133
Textures In Grass I
Anchorage, Alaska, August 1977 cat. JW 0016
Early Buds on Maple Trees I
Interstate Highway 90, Weston, Massachusetts. May 1982 cat. 4841